Contact
Email: info@matandasun.com
Phone: 07919
035671
(00 44 7919 035671 if outside UK)
Biography
I am a multi - instrumental
performer
and composer, whose work encompasses a wide
range of collaborations and
solo commissions, within orchestral, dance,
percussive and jazz music.
I was born in Southend – salty
air and
the Longest Pier. I bought my first drum kit at
13 and played it
obsessively to Genesis albums. I left home
straight after my A Levels
to play for the magnificent Pendragon in the
rocknroll den of Stroud. I
toured and then came home. I started to write
songs for my first solo
demo, which I managed to get into the hands of
Nick Mason (sadly, no
Kate Bush experience for me). It wasn’t very
successful.
I moved out front to sing in my
late
teens as I was a) tired of being the last in the
bar after packing away
his kit at gigs and b) tired of drummer jokes. I
wrote songs for my
band Something Short which rehearsed with a
vengeance but never gigged.
I left Southend to go to Kent University to
study psychology. I sang on
stage for the first time.
I left Kent and moved to
Nottingham to
study politics, drum for funk bands and sing for
swing bands. I studied
composition there with James Fulkerson. I
managed to wangle my way into
the music department’s studio and taught myself
to switch things on and
off, appreciate flashing lights and turn knobs
(this was in the days of
tape and hardware). I stayed in there for a year
and made my second
solo demo. It wasn’t very successful.
In 1992 I met with Pierre
Tubbs,
song-writer, record producer, and impresario. I
worked with him in
Wandsworth for a very enjoyable year, writing
and recording for a third
solo demo. It wasn’t very successful.
At this point I’d had enough
and
enrolled on a course about community music,
which I’d never heard of.
At around the same time, I joined the
newly-founded Nottingham School
of Samba (into its sixth week of existence).
These two things changed
my life profoundly. With another composer, Sam,
I quickly set up my
first community project, called Soundsource,
working in schools to
write site-specific contemporary classical music
with the pupils. This
project ran for a couple of years, and I used
the experience to set up
a new company, Sambawamba with a good friend of
mine. It offered Samba
workshops to schools and community settings. It
ran for 16 years,
expanding into visual art work, dance, sound
technology, performance
and installation. In the process we worked with
many thousands of
people across the country helping them to make
music, introducing them
to samba and employing dozens of artists.
Whilst that was going on I
decided to
try my hand at writing things that weren’t
songs. Continuing my studies
with Jeremy Peyton - Jones at The Nottingham
Trent University and
Brazilian composer Dudu Tucci, I proceeded to
make music for dance
companies (ABCDance, Short Stay Visitors,
Lockesmith, Sakoba Dance)
Amnesty International (To Speak and Not Be
Heard) the local council
(Blast Off), schools (Searching For The Sense of
Adventure) theatre
(Tears of Fire, Seasons 2 B). I also ventured
into Qawaal music,
linking up with Sohail Aqlhaq via APNA Arts to
explore the links
between compositional structure and
improvisation techniques of the two
different musical cultures. I played with a
couple of different Samba
baterias, most notably Bandasambwamba doing
great samba events like the
Notting Hill Carnival and the first Encontro in
Manchester.
During this period, I kept my
interest
in song-writing going firstly with a band called
Cortito which then
reduced into a duo, The Brothers Sonido. These
were both great fun, and
made some wonderful music despite the lifestyles
of the different
members. Then my children arrived. Which put a
stop to all that, for a
while at least.
The first incarnation of the Mat Andasun band
took place in 1998 when I
decided to put together the various musics I’d
been involved in. Since
then it has played at festivals around the
country from Bracknell in
Reading to Canterbury to Wirksworth, and venues
such as Sheffield
Lyceum. It has featured Andy Sheppard, Steve
Lodder, Nic France, Steve
Franklin and Jeanette Mason in its line up.
I now divide my time between
writing
for the band, writing new production music and
running workshops.
In my time, I’ve worked with
many
amazing musicians whom I have learned from and
sometimes borrowed money
from. In no particular order (and sorry if I’ve
missed anyone out) they
are:
Rik Carter
Jon Samuels
Ian Niblo
Neil Bussey,
Nick Barret
Pete Gee
Ian and Mark Elliott
Tom Johnston
Gary Plummley
Debbie Platts
The Riverdwellers
Ike Smith
Lisa Buckley
Sam Mason
James Flowers
Duncan Henderson
Dave Bateman
Josh Johnson
Rikki Thomas-Martinez
Howard Mills
Steve Truman
Andy Barrett
Nikki Kemp
Ian Foulds
Thomas Heath
Mitch Oldham
Tim Bullock
Chris Lewis-Jones
Paul Molineaux
Dave Higgins
Tom Kemp
And of course my band, past and present
Thanks guys!
Links
Please visit these links below
to
learn more about the various things I’m
connected to. If you have a
link you think anyone might be interested in,
feel free to email it
over and I’ll include it.
Mat
www.ovm.co.uk
www.cipher.f9.co.uk
www.jadewarrior.co.uk
www.londonschoolofsamba.co.uk
www.bbc.co.uk/radio3/world/onyourstreet
www.savevictoriabaths.org.uk
Nottingham
School
of Samba