Contact
Email: info@matandasun.com
For bookings call Eugene Speed Productions 07919 035671
Biography
Hi. Some of the following is true.
I am a multi - instrumental performer
and composer, whose work encompasses a wide range of collaborations and
solo commissions, within orchestral, dance, percussive and jazz music.
I was born in Southend – salty air and
the Longest Pier. I bought my first drum kit at 13 and played it
obsessively to Genesis albums. I left home straight after my A Levels
to play for the magnificent Pendragon in the rocknroll den of Stroud. I
toured and then came home. I started to write songs for my first solo
demo, which I managed to get into the hands of Nick Mason (sadly, no
Kate Bush experience for me). It wasn’t very successful.
I moved out front to sing in my late
teens as I was a) tired of being the last in the bar after packing away
his kit at gigs and b) tired of drummer jokes. I wrote songs for my
band Something Short which rehearsed with a vengeance but never gigged.
I left Southend to go to Kent University to study psychology. I sang on
stage for the first time.
I left Kent and moved to Nottingham to
study politics, drum for funk bands and sing for swing bands. I studied
composition there with James Fulkerson. I managed to wangle my way into
the music department’s studio and taught myself to switch things on and
off, appreciate flashing lights and turn knobs (this was in the days of
tape and hardware). I stayed in there for a year and made my second
solo demo. It wasn’t very successful.
In 1992 I met with Pierre Tubbs,
song-writer, record producer, and impresario. I worked with him in
Wandsworth for a very enjoyable year, writing and recording for a third
solo demo. It wasn’t very successful.
At this point I’d had enough and
enrolled on a course about community music, which I’d never heard of.
At around the same time, I joined the newly-founded Nottingham School
of Samba (into its sixth week of existence). These two things changed
my life profoundly. With another composer, Sam, I quickly set up my
first community project, called Soundsource, working in schools to
write site-specific contemporary classical music with the pupils. This
project ran for a couple of years, and I used the experience to set up
a new company, Sambawamba with a good friend of mine. It offered Samba
workshops to schools and community settings. It ran for 16 years,
expanding into visual art work, dance, sound technology, performance
and installation. In the process we worked with many thousands of
people across the country helping them to make music, introducing them
to samba and employing dozens of artists.
Whilst that was going on I decided to try my hand at writing things
that weren’t songs. Continuing my studies with Jeremy Peyton - Jones at
The Nottingham Trent University and Brazilian composer Dudu Tucci, I
proceeded to make music for dance companies (ABCDance, Short Stay
Visitors, Lockesmith, Sakoba Dance) Amnesty International (To Speak and
Not Be Heard) the local council (Blast Off), schools (Searching For The
Sense of Adventure) theatre (Tears of Fire, Seasons 2 B). I also
ventured into Qawaal music, linking up with Sohail Aqlhaq via APNA Arts
to explore the links between compositional structure and improvisation
techniques of the two different musical cultures. I played with a
couple of different Samba baterias, most notably Bandasambwamba doing
great samba events like the Notting Hill Carnival and the first
Encontro in Manchester.
During this period, I kept my interest
in song-writing going firstly with a band called Cortito which then
reduced into a duo, The Brothers Sonido. These were both great fun, and
made some wonderful music despite the lifestyles of the different
members. Then my children arrived. Which put a stop to all that, for a
while at least.
The first incarnation of the Mat Andasun band took place in 1998 when I
decided to put together the various musics I’d been involved in. Since
then it has played at festivals around the country from Bracknell in
Reading to Canterbury to Wirksworth, and venues such as Sheffield
Lyceum. It has featured Andy Sheppard, Steve Lodder, Nic France, Steve
Franklin and Jeanette Mason in its line up.
I now divide my time between writing
for the band, writing new production music and running workshops.
In my time, I’ve worked with many
amazing musicians whom I have learned from and sometimes borrowed money
from. In no particular order (and sorry if I’ve missed anyone out) they
are:
Rik Carter
Jon Samuels
Ian Niblo
Neil Bussey,
Nick Barret
Pete Gee
Ian and Mark Elliott
Tom Johnston
Gary Plummley
Debbie Platts
The Riverdwellers
Ike Smith
Lisa Buckley
Sam Mason
James Flowers
Duncan Henderson
Dave Bateman
Josh Johnson
Rikki Thomas-Martinez
Howard Mills
Steve Truman
Andy Barrett
Nikki Kemp
Ian Foulds
Thomas Heath
Mitch Oldham
Tim Bullock
Chris Lewis-Jones
Paul Molineaux
Dave Higgins
Tom Kemp
And of course my band, past and present
Thanks guys!
Links
Please visit these links below to
learn more about the various things I’m connected to. If you have a
link you think anyone might be interested in, feel free to email it
over and I’ll include it.
Mat
www.nottinghamschoolofsamba.co.uk
www.ovm.co.uk
www.cipher.f9.co.uk
www.londonschoolofsamba.co.uk
www.bbc.co.uk/radio3/world/onyourstreet